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DM
Better than expected...
Duncan M. 21.08.2013
I played these cymbals for about a year before they finally died on me. I play mostly extreme metal (post- and doom), with occasional forays into jazz.
The hi-hats have a really good sound for such cheap cymbals - they surprised a couple of studio owners that I recorded with, one of them even asking if I had Zildjians. They have a nice clean sound when closed, with a good tight click. They cut through nicely for jazz, and react well to being splashed. However, it is when they are opened up that they start sounding really great. Depending on your clutch positioning, you can get sounds ranging from a short, attacking sound to a massive crashy wash. They have an added advantage in that they're not too loud, while still being loud enough to be heard over everything. I prefer the PST3s to Sabian AAX Stage Hats, because the Sabians are just far too loud to be usable.
The 18" crash/ride is also excellent. It has a nice full sound, which works well for both accents and being the main cymbal of a pattern. It also has nice definition, and it doesn't get lost in the mix at all. This was a cymbal I always liked hitting, because it just sounded really, really good.
The downside to these cymbals is the longevity. My hats started out with a small crack, this grew bigger and bigger, until eventually big chunks were falling out. My crash started with a small line in the rim, which just grew inwards until it got about half an inch into the bell. The hats actually still sounded okay with a smaller crack, but the crash just sounded terrible. But for the price, getting a year out of them is still alright.
So to sum up, these cymbals are absolutely fantastic if you're on a budget. I may have broken mine, but I ordered another set, because they're just that good.
I played these cymbals for about a year before they finally died on me. I play mostly extreme metal (post- and doom), with occasional forays into jazz.
The hi-hats have a really good sound for such cheap cymbals - they surprised a couple of studio owners that I recorded with, one of them even asking if I had Zildjians. They have a nice clean sound when
I played these cymbals for about a year before they finally died on me. I play mostly extreme metal (post- and doom), with occasional forays into jazz.
The hi-hats have a really good sound for such cheap cymbals - they surprised a couple of studio owners that I recorded with, one of them even asking if I had Zildjians. They have a nice clean sound when closed, with a good tight click. They cut through nicely for jazz, and react well to being splashed. However, it is when they are opened up that they start sounding really great. Depending on your clutch positioning, you can get sounds ranging from a short, attacking sound to a massive crashy wash. They have an added advantage in that they're not too loud, while still being loud enough to be heard over everything. I prefer the PST3s to Sabian AAX Stage Hats, because the Sabians are just far too loud to be usable.
The 18" crash/ride is also excellent. It has a nice full sound, which works well for both accents and being the main cymbal of a pattern. It also has nice definition, and it doesn't get lost in the mix at all. This was a cymbal I always liked hitting, because it just sounded really, really good.
The downside to these cymbals is the longevity. My hats started out with a small crack, this grew bigger and bigger, until eventually big chunks were falling out. My crash started with a small line in the rim, which just grew inwards until it got about half an inch into the bell. The hats actually still sounded okay with a smaller crack, but the crash just sounded terrible. But for the price, getting a year out of them is still alright.
So to sum up, these cymbals are absolutely fantastic if you're on a budget. I may have broken mine, but I ordered another set, because they're just that good.
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HP
Platos de gama media
Hangar05 Prod Art SL 26.05.2019
Lo mejor de este pack es su precio ya que consigues tres platos por un buen precio pero hay que decir que son platos puros de batalla, para el local de ensayo digamos y poca cosa más. Quizás si tienes que hacer un concierto y necesitas que los platos no resuenen demasiado también te sirven.
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M
Solides pour s'entraîner et / ou débuter
Madlax 21.02.2020
Ce sont des cymbales d'entrée de gamme qui sont assez solides et qui sont très bien pour débuter et s'entraîner chez soi.
Le son n'est pas dégueulasse mais ni transcendant. Le sustain est correct.
C'est surtout un set pour jouer du jazz à mon goût (la cymbale Crash / Ride 18" est pas mal).
Franchement pour le prix, c'est un très bon investissement, si vous voulez avoir un beau son live, studio sans non plus trop dépenser je recommanderai plutôt de voir chez Zildjian et Sabian.
Ce sont des cymbales d'entrée de gamme qui sont assez solides et qui sont très bien pour débuter et s'entraîner chez soi.
Le son n'est pas dégueulasse mais ni transcendant. Le sustain est correct.
C'est surtout un set pour jouer du jazz à mon goût (la cymbale Crash / Ride 18" est pas mal).
Franchement pour le prix, c'est un très bon
Ce sont des cymbales d'entrée de gamme qui sont assez solides et qui sont très bien pour débuter et s'entraîner chez soi.
Le son n'est pas dégueulasse mais ni transcendant. Le sustain est correct.
C'est surtout un set pour jouer du jazz à mon goût (la cymbale Crash / Ride 18" est pas mal).
Franchement pour le prix, c'est un très bon investissement, si vous voulez avoir un beau son live, studio sans non plus trop dépenser je recommanderai plutôt de voir chez Zildjian et Sabian.
