Kerry Whistles Busker Mezzo Tunable A

Kerry Whistles sind eigentlich immer ueber jede Kritik erhaben - so auch die Busker.

Schoener, satter, warmer Ton, sehr leicht zu ueberblasen (fuer Anfaenger manchmal ZU leicht), und stimmbar ist sie auch.

In diesem Feature liegt allerdings auch der einzige kleine Haken: es passiert sehr schnell beim Veraendern der Stimmung dass man die Whistle minimal verdreht, und dann ist die Ansprache im Eimer. Braucht etwas Fingerspitzengefuehl.

Alles in allem aber eine ganz klare Kaufempfehlung!

Diese hochwertig verarbeitete und schöne Whistle erweitert durch die eher mittige Lage meine Sammlung um ein paar (...in der trad. irischen Musik auch recht gebräuchliche...) Tonarten wie h-, und e-moll und eine weitere etwas abgedunkelte Klangfarbe. Spielbarkeit und Ansprache sind optimal. Man braucht vergleichsweise viel Luft, besonders bei langen Bindungen, muss mehr „stützen“ als bei anderen Whistles, aber die leichte Ansprache und der fließende Übergang in den Diskant machen das Spiel vom ersten Augenblick an zu einem echten Wow!-Erlebnis. Klare Kaufempfehlung!

Received this beauty in the mail today. I've played it for about 5 hours now. I'm in love with the low A sound, it's really warm and full, yet very detailed and you can hear the variations in your airflow very well, giving it lots of expression. It's tunable, but it arrived in tune: 14/16 whole tones were in tune before warm-up, 16/16 after warm up (did not check semitones). Warm up time is quite long, as you'd expect from a whistle with this much mass.

AIR: You'll have to blow rather hard if you're used to playing pennywhistles, and you'll have to play rather soft if you're used to playing 'true' low whistles. This flageolet is a medium whistle. it is relatively easy to overblow but the sustain takes quite some lung capacity.

FINGERING: The holes are aligned, not offset. This instrument can be played with the finger pads as you would a regular tin whistle, but you can also use a piper's grip. It's actually quite hard to use a piper's grip a the holes are relatively close together, but for players with smaller hands this might not be an issue. The edges of the holes are smooth and the holes are broad enough to have a 'sunken' feel to them, making them easy to locate.

SOUND: I chose the key of A because of the emotional color and I am not disappointed. This flute has a very mellow and warm, dark sound. There's this beautiful metallic resonance in the lower registers giving the flute a 'raspy' bottom. On the other hand, when applying the correct amount of air in the second octave, the highs are very smooth, not sharp at all. At the end of the second octave and the rest of the third the flute does get very loud, but it remains its warmth and silky upper end.

If you didn't get it by now, I'm absolutely in love with this thing. In the future I'll be buying more "The Busker" in different keys. I'm about to mail Thomann asking if they've got any hardcases I can use to store this baby in.

If you've got a few euro's lying around: you could buy 24 pennywhistles, or you can go all in and join the big boys with this beautiful Kerry Whistle.

I was totally taken by surprise when l started playing this whistle. What a range, almost three octaves the first evening and counting with no real problems. This is so much more dynamic than the soprano whistles l already have. When my technique get a little better three octaves will be well within reach. So much sound requires more control than a smaller whistle, that is true like someone here already pointed out. It will take some time to master this, but it works so effortlessly. This whistle is simply amazing though, and l think it has every note l will play in a forseeable future. Very happy l got this.